Exhibit Credits
Images of the Maya Home
FLMNH
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Woman weaving using a traditional backstrap loom.
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The weaver starts with raw wool or cotton that must be washed, combed
and spun. She first stretches the long (warp) threads along a warping
board to the desired length and attaches them firmly to her loom. Then
she begins the complex process of weaving.
To brocade, colored yarns are woven into the cloth to create the designs
as the cloth itself is being woven. This differs from embroidery where
the colored threads are stitched into a completed garment. The weaver
adjusts the tension of the loom by leaning forward or back because of the
strap that fits around her back, hence the name "back-strap loom." A brocaded
garment may take many months to complete.
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Child's huipíl from Tenejapa
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The weaver gathers the flowers, plants, berries or bark, prepares the dye
bath and mordants that help set the color, and dyes the wool.
The process varies with the properties of the plants and the color desired,
and requires considerable time, effort and knowledge. As with brocade weaving,
knowledge of natural dyeing techniques had to be recreated, because it too
had been forgotten.
| COLOR |
TZOTZIL |
SPANISH (ENGLISH) COMMON NAME |
LATIN NAME |
| red |
Tzoj te' |
palo de Brasil (Brazilwood) |
Haematoxylum brasiletto |
| yellow |
K'an ak' |
barba de leon (lion's beard) |
Cuscuta tinctoria |
| coffee |
Tzon te' |
musgo (moss) |
Usnea barbata |
| lavender |
Makom |
zaramora (blackberry) |
Rubus sp. |
| black |
Ik'al lum |
tierra negra (black earth) |
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| blue |
Pitz'otz |
palo de Mula (Mule tree) |
Monnina xalpensis |
| green |
Sakatinta |
sacatinta (drycolor) |
Justicia spicger |
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